I think there’s music in me.

Our Culture has an indifferent relationship to being in process. We view a finished product, a final outcome, an established Artist, and we assume a finality that doesn’t exist. Because beneath what gets brought forth, is the story of what was. That story holds the paths that were taken and the paths that were declined. The choices that were made. I first became conscious of the music in me a little over a decade ago when I was 24. It happened in a single night, with a single guitar - and in that night I found a world in me that promised more worlds to come. I found a feeling that meant everything to me, a feeling that asked me to follow it. The truth is that I wasn’t given anything new that night, I had been writing songs since I was a child. Every journal and notebook that I’ve ever owned is full of poems and lyrics scribbled in corners. I have always been a prolific songwriter, even before I knew that there were songs in me to find. But on that night the light of consciousness met who I was and I saw myself for what I was. I could see that there was a Musician in me - and I knew that if I followed this feeling, that I would ultimately become what I saw. I would become who I was.

The thing about being in process is that more often than not there is a gap between the reality and the vision. We have been taught to view this gap as a deterrence; as a reason to turn back, to give up, to convince ourselves that the feeling is wrong. But this gap isn’t a problem to be solved, it’s an invitation to step onto the path. My early songs were raw and messy. I sang with a twang for years. I was finding and feeling my way into a voice that was mine and a life of my own. It was fucking terrifying - I took leap after leap, made mess after mess, and had my heart repeatedly broken. Being in process has required a willingness to not only continually develop my craft, but to work through my trauma and the ways that society has conditioned me to prioritize perfection and control over the wilderness within me. I have no interest in diluting my path. I share my journey to say that if you are blessed to get a glimpse of who you are; of the creativity that is inherently yours, of a feeling almost too precious to claim that there is a beauty to believing in what you’ve found. I don’t know where it will take you! And frankly I still don’t know where I’m going because just as being in process acknowledges the depth of an unseen past, it also holds the promise of an unknown future. I’ve found that a life lived in this space of trust and feeling is a life that feels like living to me. Not because of some external achievement, but because of what it awakens in me. In any given day I can turn my experiences into stories and in doing so I can change how I experience them. I can’t count how many times an unfortunate reality has given birth to a song, or a poem, or a moment of presence. Creativity is a super power that can fundamental invite a reassessment of how life is met, and of how life is created. Who do we become when we know this to be true? When our external realities become an invitation to turn to alchemy, to turn to feeling, to turn to life with the conviction that we can impact what we’ve seen. That is the path of an Artist and I believe that there is an Artist in all of us.

I once had someone reflect back to me; “you have very little tolerance for people disturbing who you are,” and that felt like the whole truth. But it also felt like a half truth. Because I think the whole truth requires acknowledging how much I have been encouraged, and programmed, to seek out people who will try to tell me who I am. The “problem” with this dynamic is that I’ve actually always known who I am. So I can’t help but find myself reluctant to take on their reflections, to bend to their ceilings, to squeeze myself so I might fit into visions that never bothered to ask me how I dream. For if they did, they would find that I live under a wide sky. They would find that though they may try to test me, I always find my way back home.

I’ve found that when you are stepping into more of who you are, at a certain point it becomes incredibly important to tell those voices to fuck off. You know the ones; the mean things stated casually that you find yourself clinging to as truths to overcome.

“You can’t sing.”

Those voices get passed along from person to person - but I’m not sure that they belong to any of us. I don’t view them as truths, but as cuts and wounds and judgements that strive to build ceilings where there’s nothing but wide sky.

Because the truth is that I was singing, and I was growing, and I was happy, but those voices still didn’t get any quieter. There was no amount of “good enough” that would make them relent. They weren’t my truths so I couldn’t process them - I could only hold the pain that they provoked. I could only acknowledge that the people who throw around mean things stated casually are generally trying to protect themselves from the pain of acknowledging the mean things that have been thrown at them.

There is so much heartbreak in Artistry. The pain of being made to feel wrong for the impulse to create, for the impulse to cultivate an expression that is uniquely your own, is a pain that far too many of us know. It is a pain that is frequently passed on to the unsuspecting hearts who have only just discovered the love of what they’ve found.

It’s a confusing place to find yourself. Because those voices are so desperate to get you to abandon yourself. That is their only aim. To get you to stop yourself, before you have a chance to discover what makes you.

Isn’t that what Art does? It gives us a chance to discover the magic that makes us, uniquely ourselves.

I have a lot of compassion for this nuance and this hurt and this mess. And I also recognize that a certain point, the only thing to do is to tell those voices to fuck off.

For the most part, I bring these feelings to the page. I give myself space to process the maddening rage that comes from living in a world that would beg you to forget yourself.

But that’s all it is; a pleading request, supported by a system, enforced by a whole lot of wounds masquerading as wisdom.

Pain masquerading as protection.

But underneath it all, it’s still just a request.

And I choose to decline.

I choose to remember.

Don’t say I didn’t tell you.

“But I am an Artist!”

I screamed into the void

And the void recalled

What it felt like

to hold a truth

that only needed to be known

by the one who carries it